Monday, December 7, 2015

Krampus (2015)

Directed by: Michael Doherty

Starring: Adam Scott, Toni Collette, David Koechner, Allison Tolman, Conchata Ferrill, Emjay Anthony and Krista Stadler

Rated: PG-13

Genre: Horror / Horror-Comedy

A disillusioned young boy, fed up with his dysfunctional family, loses his faith in the spirit of Christmas. He gives up hope that he will ever have another enjoyable Christmas with his family and turns his back on the season. In doing so, he unwittingly unleashes the demonic evil spirit Krampus upon himself and his family. Krampus arrives to take from and punish those who don't believe.

I didn't know what to expect going into this film. I knew that I liked the cast, enjoyed the trailer and thought the subject matter would be interesting. I was hesitant due to the PG-13 rating, as that often tends to water down what could be a great film. Fortunately, that was not the case with Krampus.

The film opens to a satirical, but sadly, not that exaggerated, Black Friday mob scene to the tune of "It's Beginning to Look a lot Like Christmas" and continues at a upbeat pace, combining horror and comedy, until the credits roll. This film has a lot to say about the modern family's view of the Christmas season and doesn't try to sugar coat it. The people in this film have lost the aspect of enjoying the company of loved ones during the Holidays to a consumer-driven, resent-filled feeling of obligation to buy numerous gifts and put on perfect celebrations for family and friends. Krampus comes to town to remind everyone of what really matters this time of year.

I really cared about Max, the boy who finally gives up on having a happy holiday. He loves the season and tries to keep the magic alive, even though he knows he's too old to believe in Santa. His only friend is his Omi, who communicates with him in German. His cousins either tease and torture him or do not speak to him at all. It is after his cousins Jordan and Stevie humiliate him at dinner that he finally loses all hope and love for the Christmas season.

My next favorite character was Omi. She has a true affection for Max and does what she can to comfort him when his parents cannot or will not do so. She is wise and willing to sacrifice herself to protect her family.

The only other standout character was Tom, Max's father, who seems a little weak and tied to his job at the beginning of the film, but really comes through as the terror of Krampus begins to unfold. He never second guesses the need to protect his family and will stop at nothing to keep them safe - even the family members he doesn't like very much.

The rest of the characters weren't very likable and really had to work for me to want them to survive. Max's mother, Sarah, is the stereotypical yuppie perfectionist Mom that keeps her house perfect and serves gourmet dinners every night. Her sister, Linda, and brother-in-law, Howard are the exact opposite - beer guzzling, junk food loving, gun toting, football worshiping rednecks with a brood of misbehaving children. Howard favors his son, Howie, Jr., and seems to wish his daughters were also born boys.  Stevie and Jordan, Howard and Linda's older daughters, are bratty little jerks and I wanted so badly to reach through the screen and knock their heads together. Howie Jr. did nothing but sit around, eat and look dumb - a useless lump that Howard has placed on a pedestal. Rounding out the herd of children is Max's sister Beth, who isn't in the movie much, but is the only other decent child over the age of two. Lastly we have Aunt Dorothy, the bitter, alcohol swigging spinster, who appears just to be at the festivities to antagonize everyone. She does have some great lines and a moment of badassery, however.

The film was very well-acted and well-cast. Everyone fit their roles well, with standout performances by Krista Stadler as Omi and Conchata Ferrill as Aunt Dorothy. The entire cast managed to play the film straight, even in the more darkly comedic scenes, making them more believable despite the ridiculous level the film reached in places.

There isn't much for blood and gore, but that is made up for by a great creepy atmosphere and an assorted array of horrific looking villains. The horror begins during a blizzard with white-out conditions. The characters can barely see a foot in front of them and have to cling to each other when outside so no one gets lost in the snow. The vehicles on the road and neighboring houses are found abandoned and iced over, the rest of the population seeming to have disappeared overnight. There is no power in the home or phone service due to the storm, so the house is lit by the fire in the hearth and candles or flashlights. Lastly, more and more menacing-looking snowmen keep popping up in the yard in front of the house. This isolated, creepy atmosphere creates a tense backdrop for the initial chase sequence, adding a foreboding feeling to an already suspenseful scene.

Krampus may be the main antagonist, but he is far from alone in his reign of terror on Max's family. What were once harmless children's toys become twisted, vicious killers that attack, and in some cases, eat, members of the family. Gingerbread cookies are probably the most darkly comedic as they come to life and lure family members to their doom. Then there's the unseen monster under the snow that will gobble up a person in seconds and the demented looking elves that act as soldiers for Krampus himself.  Krampus is disturbing to look at, but ultimately doesn't get much screen time. Still, the scenes involving him are the most suspenseful and dark, all comedy lost in favor of the darker, horrific elements.

Then ending is left open to interpretation, which has caused confusion among viewers, but is something I liked. I enjoy when a film leaves me thinking after it ends, and Krampus succeeded in doing just that.

Overall, an enjoyable Christmas Horror-Comedy that manages to both bring the laughs and the suspense. Dark humor, an intimidating, strong central monster with multiple disturbing minions, a strong cast and a tense, foreboding atmosphere make for a fun, entertaining movie watching experience.


7/10



Wednesday, December 2, 2015

Moving Alan (2003)

Directed by: Christopher Shelton

Starring: Marley Shelton, Samantha Shelton, Misha Collins, Mark Pellegrino and Leslie Jordan

Genre: Independent, Comedy, Dark Comedy

Rated: Unrated

Emily Manning arrives at her estranged sister, Melissa’s home after an emergency phone call. Melissa’s husband is dead and she believes she’ll be blamed for killing him. Emily agrees to help Melissa hide the body, and the two embark on a journey of rediscovering their lost relationship and finding themselves.

This is definitely a strange film. I have watched it twice now, and I’m still not quite sure how I feel about it. I wanted to like the sisters, but I just couldn’t. Melissa is both incredibly selfish and helpless, and I can understand why Emily becomes so irritated with her. At the same time, Emily has been holding a grudge against Melissa for three years, and that is the reason the two haven’t spoken for so long. What is the grudge about? Melissa moving in on Alan when he was spending time with Emily and marrying him. The fact that Alan was abusive to Melissa, leaving her with a black eye and bruises up and down her back, doesn’t seem to ease this grudge Emily carries; not until Melissa’s neighbor tells her to let it go – and even then, she doesn’t let it go entirely. I was sitting there grumbling at the screen, “You were never even DATING Alan! Melissa’s moving in on him may have been a bitchy thing to do, but it’s not like you two were in a relationship! Get over it!”

It is obvious that Melissa doesn’t like the competition of her little sister when it comes to men. When the two women encounter Tony wandering in the desert, she becomes jealous when he clearly has eyes for Emily over her. Of course, this is after he gives himself a sexy makeover beside their broken down car, when both women see how attractive he actually is under the dreads and scraggly facial hair. 


Quite the Transformation, eh?
I'd say so...

Then Emily is willing to run off into the hills with him, despite the fact that he’s spouting soap opera lines like a lunatic. 
Although, to be fair, I’d let Misha Collins lead me off into the desert hills as well, no matter how crazy he was acting, so I really can’t judge her on that.

Especially if the results would be anything like this!
...Or This....
Along their journey, Melissa learns to toughen up while Emily learns to lighten up a little, but both of them are still overshadowed by Tony and Alan, whom we mostly see in flashbacks or as a dead body until the end of the film. Collins is absolutely hilarious as the crazy, drug addicted hobo living in the desert, who refuses to stay away from Emily, as he believes her to be his love interest in the soap opera he seems to be perpetually living in. How Pellegrino can captivate as a dead, naked man is unclear, but he does, and he is both sexy and creepy in the flashbacks, as well as a little pitiful in places. The Shelton sisters give okay performances, but if it weren’t for Collins and Pellegrino, the film wouldn’t be much worth watching.

The film is definitely funny, in a twisted way, and you can feel the frustration the sisters are feeling as they are trying to find a place to dump Alan’s body and keep being thwarted. The sisters have their comedic moments, especially Melissa with her slightly ditzy, almost childlike demeanor, but, as mentioned above, the real comic relief is Tony, as he is trapped inside his own head, probably high, and convinced he’s filming a soap opera. The people around him don’t know how to handle his crazy and their reactions to him are half the fun. When he snaps back to reality toward the end of the film, it is almost a little sad to see crazy Tony go, but sexy normal Tony is a welcome replacement.

Overall, this is a strange flick, and it took me a couple viewings to gather my feelings on it. The sisters the story centers around annoy me quite a bit, but the characters of Tony, Alan, and Arthur – Melissa’s neighbor- make up for the irritating squabbling between siblings. The Shelton sisters give okay performances, but Misha Collins steals the show, with Mark Pellegrino close behind. Honestly, without these two, the film would have been far less enjoyable.


5.5/10

For those who are interested, one of the few places you can find the entire film in English is here.